Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this world within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Film at Lincoln Center is pleased to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.

A manager, screenwriter, novelist, theatrical director, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime regarding the belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility additionally the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were seldom seen outside of their native Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the current global climate that is political.

One of several biggest retrospectives of his strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and imported movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with Worlds: Next Century, a reimagining regarding the H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of the nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Also, the retrospective will highlight Szulkin’s quick movie work, such as the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .

Presented in collaboration because of the Polish Cultural Institute ny.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and tend to be $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save because of the purchase of three seats or maybe more.

Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird

FILMS & DESCRIPTIONS All tests occur in the Walter Reade Theater (165 western 65th Street) unless otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mother dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, as well as the notion of the nuclear family.

Preceded by: brand brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted frame price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet has grown to become therefore wonderful that only prisoners can be used for the dangerous company of room exploration, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently condemned objective to a planet that is uncharted. Upon his arrival, he discovers some sort of curiously such as for instance a dilapidated, postapocalyptic Earth, where he could be welcomed because of the population as a “hero,” an ignominious honor, he quickly learns, that is included with a many fate that is barbaric. Using the film’s properly nonsensical name from the babble of his child child, Szulkin delivers a bleakly acerbic commentary in the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

Brand brand brand New digital renovation Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, experts make an effort to produce a brand new, flexible race of people. a apparently ordinary item regarding the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, was called a precursor to Blade Runner , but its title additionally appears returning to a more ancient misconception of creation and morality.

Preceded by: brand New electronic restoration The Gal additionally the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter using the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New digital renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late https://ukrainian-wife.net 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is definitely a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an musician whom devoted his profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm

Brand brand brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They’ve been spurred in by their fervent belief in a fabled Ark that may deliver them from their living hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to prevent collapse that is total. Employed in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s follow-up to Golem starts with the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless television newscaster Iron Idem (Roman Wilhelmi) since the sound of the 1984 -esque propaganda device. Nevertheless when Iron dares to stop message, he makes an enemy also more than the aliens: the state it self. Released in the same way Poland was being plunged into martial legislation and instantly prohibited, The War associated with Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and media manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm

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